Journal of Nature Science Illustrators Vol. 57, No. 1: Abstracts

May 16, 2025
Fiona Martin


Editor’s Note — Fiona Martin 


Fiona Martin reflects on the evolving role of science illustration, emphasizing its power to communicate complex ideas in an emotionally resonant, accessible way, highlighting the importance of this now in the midst of a challenging and unpredictable political and social climate.


A Bear-able Adventure. Interpretive
poster for the 2024 Alaskan Voices
of the Wilderness artist-in-residency,
Kootznoowoo Wilderness, Tongass
National Forest. Water-soluble
and regular colour pencils.
© 2024 Bea Martin


Sketching On Location  — Bea Martin 


Bea Martin recounts her time as an artist-in-residence in Alaska’s Kootznoowoo Wilderness, where she embraced minimal equipment and sustainable practices. Her experience highlights the power of daily sketching and immersion in nature to build observational skills and deepen environmental awareness.



In this sweeping
depiction of how rising
sea levels will affect the
Red Sea coastline, visual
science communicator
Xavier Pita literally brings a
solution-minded approach
to the fore by illustrating two
scenarios—how the coastline
might change if we invest in
infrastructure adaptations
(front) and what we might
face if we do nothing (back).
In this way, Pita unpacks the
suite of changes that may
or may not unfold in the
complex interplay of climate
change and mitigation
efforts. © 2021 Xavier Pita/
King Abdullah University of
Science and Technology



Visuals as a Catalyst for Climate Science Communication, Part 1 — Kalliopi Monoyios, Kirsten Carlson, Taina Litwak, Tania Marien, Fiona Martin


This comprehensive article explores how visual science communicators make climate data accessible, memorable, and emotionally compelling. It emphasizes the urgent need to integrate illustrators into science communication teams across academia, government, and media to foster public engagement and drive action.



Tread Carefully in the Redwoods. SantaCruz black salamander (Aneides niger), redwoodsorrel (Oxalis oregana), European earwig
(Forficula auricularia), common pill woodlouse
(Armadillidium vulgare) and coast redwood
(Sequoia sempervirens). Gouache on hot press,
cut paper dimensional collage. © 2024 Brynna
Reilly, she/her. brynnaillustrates.square.site


Illustrating Nature: CSUMB Science Illustration Graduate Program Class of 2024 Emma Regnier and Karin von May


 This feature showcases the diverse, imaginative work of graduates from California State University Monterey Bay’s science illustration program. The students blend technical skill and artistic flair to interpret complex natural subjects, demonstrating the next generation’s creative potential.


This year's conference
logo features a right whale,
chickadee, cranberries, and a
ladybug, inhabitants of this
year's conference location in
Bridgewater, Massachusetts.
Illustration by Hannah Sease.
www.hannahsease.com
All images copyrighted by


A Look Ahead at the 2025 Visual SciComm Conference Stephen DiCerbo


Stephen DiCerbo previews the upcoming in-person GNSI Visual Science Communication Conference at Bridgewater State University. The article highlights workshops, networking opportunities, and a renewed sense of community after years of virtual-only events.



Book cover Art - Little Beasts: Art, Wonder, and the Natural World
By - Review by Julianne Snider December 31, 2025
Little Beasts has abundant, detailed images and essays tracing European natural history’s evolution from the 15th–17th centuries. It highlights Flemish artists Joris Hoefnagel and Jan van Kessel’s influential work, showing how art helped document and disseminate knowledge of nature’s diversity during the Renaissance.
Journal of Nature Science Illustrators Vol. 57, No. 2: Front over image
By GNSI December 30, 2025
Welcome to the second edition of 2025! This issue highlights the breadth of contemporary natural science illustration—from personal sketchbook practice to anatomy education, climate-science communication, art history, and bioarchaeological reconstruction. Articles explore teaching comparative vertebrate anatomy online, creating effective climate visuals, understanding early natural-history illustration through a review of Little Beasts , and using illustration, genetics, and 3D modeling to reconstruct a medieval skull. Log into your account to view the Journal: JNSI 2025 Vol. 57, No. 2 Not yet a subscriber? To view the issue for free, become a GNSI member today!
Visuals s a Catalyst fro Climate Science Communications
July 15, 2025
Visuals as a Catalyst for Climate Science Communication - Part 1 /July 15, 2025

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