Journal of Natural Science Illustration Vol. 53 No. 3 : Abstracts

GNSI • December 10, 2021
Journal of Natural Science Illustration Vol. 53 No. 3  - Cover art

This issue of JNSI showcases a diversity of visual communication methods, ranging from abstract to cartoon to realistic. Jane Zen experiments with flowing alcohol inks to render cellular immune responses to antibiotics and antimicrobial peptides. A. James Gustafson’s reconstructions of almost mythological, prehistoric mammals offer nuggets of wisdom for aspiring paleoartists. Melissa Clarkson describes her work creating reusable, codifiable vector image libraries. A book review, written by C. Olivia Carlisle, reminds us of the dichotomy of Edward Lear’s work—humorous cartoon sketches and limericks appear alongside elegant, detailed illustrations of birds and mammals.


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GNSI 2021 Conference Logo

Insights from GNSI’s 2021 Visual SciComm Conference

— Kalliopi Monoyios, GNSI President


Our second online conference is in the books and it was another successful demonstration of visual scicomm excellence, accessibility, and inclusion! Building on last year’s successes, Conference Chair Christie Newman and her team took advantage of the ability of the online format to reach far and wide.


A Review of the 2021 Annual Business Meeting

A Review of the 2021 Annual Business Meeting

— Kalliopi Monoyios, GNSI President


Fifty-some people attended the online Annual Business Meeting on August 4th, 2021. Generally, this event is held during the annual conference over lunch and includes presentations by each of the Board members on what’s happened over the past year.

Our Apologies...



Zia Abraham’s lovely illustration of the wolf spider’s life cycle was inadvertently omitted from the CSUMB article in our last issue. 

Font Follies

— Gail Guth


Every font in this title will be unsupported by the end of 2023 in ALL new-release Adobe products.

Semi Abstract paintings of molecular cell structures

Rendering the Unseeable

— Jane L. Zen, with Dr. Daniela Rivera and Dr. Donald E. Elmore


My art explores the intersection of science and art, ultimately acting as visual supplementation to the lab research I have been conducting in college. As part

of my thesis project, my goal was to elucidate the molecular mechanisms by which antimicrobial peptides and antibiotics interact to create synergy in killing bacteria. 

different spatial scales and development over time of anatomy - molecules, cells, embryos

Codifying Composable Graphic Libraries

— Melissa Clarkson, Ph.D., M.Des.


The author describes research into the process of making images understandable to a computer as a system of images that can be combined and repurposed for multiple needs.



Extinct Species Reconstruction

Restoration of Extinct Species (Open Access)

— Anthony James Gustafson


Our ancient ancestors told stories of great prehistoric beasts in the form of drawings on the walls of caves. These animals played a significant role in their daily lives, and they clearly felt their stories were worth telling. And whether they realized it or not, the stories themselves would long outlive those who wrote them. So, in effect, they’ve been able to tell those stories to us thousands of years later.

Parrot Painting

Book Review Natural History of Edward Lear, New Edition, by Robert McCracken Peck, foreword by David Attenborough (Open Access)

— C. Olivia Carlisle


Edward Lear (1812–1888) is best known for his witty limericks and nonsense verse. But the celebrated author of The Owl and the Pussy-Cat also created some of the most stunning paintings of birds and mammals during an age when many species were just being discovered and brought to private menageries and zoos throughout Europe.

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Deb Haines. Portrait by Phil Snow-UTCVM medical photographer
By by Deborah K. Haines (Deb) BA, MFA, CMI, FAMI May 17, 2025
Deb Haines. Portrait by Phil Snow-UTCVM medical photographer
May 16, 2025
Welcome to the first edition of 202 5! Welcome to the Journal of Natural Science Illustration Volume 57, Number 1, 2025. Bea Martin opens the issue with her reflections on sketching in Alaska’s Kootznoowoo Wilderness, blending sustainability and deep observation. Kalliopi Monoyios, along with Kirsten Carlson, Taina Litwak, Tania Marien, and Fiona Martin, delivers a compelling argument for the power of visuals in climate communication and the vital role of visual science communicators in today’s world. Emma Regnier and Karin von May celebrate the creativity and precision of CSUMB’s 2024 science illustration graduates, while Stephen DiCerbo invites us to reconnect and learn at the upcoming Visual SciComm Conference. We also meet incoming GNSI president Deb Haines, profiled by Deborah K. Haines, whose career bridges medicine, veterinary science, and leadership. Log into your account to view the Journal: JNSI 2025 Vol. 57, No. 1 Not yet a subscriber? To view the issue for free, become a GNSI member today!
By Dorie Petrochko December 31, 2024
September 2024 marks the fifteenth year of the Yale Peabody Museum’s Natural Science Illustration Program. The program was launched in 2009 by four professional artists and members of the Guild of Natural Science Illustrators: Cindy Gilbane, Susannah Graedel, Dorie Petrochko, and Jan Prentice. 
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