Journal of Nature Science Illustrators Vol. 47, No. 1: Abstracts

GNSI • January 20, 2015
Final print along with the etching plate and cat skull © 2024 Caroline Erolin.


Creating Backgrounds: Mixing Traditional and Digital Techniques  — Laurie O'Keefe


This article by Laurie O’Keefe discusses techniques for creating backgrounds in natural science illustration using both traditional methods like salt and coffee grounds and digital tools such as Photoshop. It emphasizes the importance of combining traditional and digital elements for dynamic results, providing tips on organization, layer naming, and efficient workflow management​.


FILIPE FRANCO • Amazon River piranha.


 Pages from my Sketchbook  Shevaun Doherty, Filipe Franco, Kris Kirkeby, and Jennifer Landin


This section features sketches from GNSI members showcasing scenes from nature and personal travels. Each artist shares a brief story behind their work, offering glimpses into their creative processes and inspirations.



All artwork © Gail Selfridge



Leaf Rubbing as Educational Outreach  — Gail Selfridge


Gail Selfridge explores the use of leaf rubbing as a hands-on educational tool for children and adults. She details how this technique can spark an interest in nature and science, progressing from simple crayon rubbings to more detailed scientific drawings. Suggestions for conducting outreach programs are included, highlighting their potential in botanical gardens, schools, and museums​.



Art and publication
© Paul A. Krieger




Ready, Set, Sell!: Proactive Marketing Strategies  — Paul Krieger


Paul Krieger shares twelve marketing strategies for science illustrators and authors, including networking, using social media, and collaborating with publishers. The article is based on his experience as a professor and author, offering advice for improving visibility and increasing sales​.


Painted bunting (Passerina ciris). Colored pencil on paper. © 2024 Pamela Riddle



Member Spotlight: Amelia Janes  (Open Access)


Amelia Janes reflects on her journey as a natural science illustrator, blending her rural upbringing with her interest in cartography and scientific visualization. Her work has evolved to combine traditional techniques with modern digital tools, influenced by her early exposure to nature and field guides​.


 GNSI reward pins
for survey participants.


The GNSI Member Survey  — Ikumi Kayama


Ikumi Kayama reports on a 2013 survey of GNSI members, analyzing demographics, motivations, and preferences. Findings indicate a strong interest in networking, professional development, and education in science illustration. The survey also highlights members’ challenges and suggests ways to enhance engagement and support​.


2015 Conference Logo by


2015 Annual GNSI Conference


A teaser of the  2015 GNSI Annual Conference, held at Arcadia University from July 5–11, Highlights included a keynote by Kirk R. Brown portraying botanist John Bartram, and presentations and workshops on topics ranging from ceramic scratchboard to digital storytelling. The conference also featured an exhibition of member artwork, a banquet in the historic Grey Towers Castle, and field trips to notable Philadelphia-area sites like the Mütter Museum, Morris Arboretum, and Longwood Gardens.


Easel photo by Marlene Hill Donnelly
for survey participants.


Field Ops: T he John Dioszegi Portable (Not Just A) Field Easel — Marlene Hill Donnelly


Watercolorist and former engineer John Dioszegi designed a simple, affordable, and highly functional easel using a standard tripod and a Gatorboard drawing surface. His design allows for full rotation and tilt to support expressive techniques and ergonomic comfort, and the board can be easily customized and sealed for long-lasting use.


Chris Gralapp’s
tablet/keyboard setup


RRRipped from the list!: Workspace Biomechanics

in the Digital Age -



This installment of Ripped from the List begins as a query about types of pen tablets from member Linda Feltner, but quickly morphs into a discussion about ergonomic

considerations of the Illustrator’s digital workspace.




Book cover Art - Little Beasts: Art, Wonder, and the Natural World
By - Review by Julianne Snider December 31, 2025
Little Beasts has abundant, detailed images and essays tracing European natural history’s evolution from the 15th–17th centuries. It highlights Flemish artists Joris Hoefnagel and Jan van Kessel’s influential work, showing how art helped document and disseminate knowledge of nature’s diversity during the Renaissance.
Journal of Nature Science Illustrators Vol. 57, No. 2: Front over image
By GNSI December 30, 2025
Welcome to the second edition of 2025! This issue highlights the breadth of contemporary natural science illustration—from personal sketchbook practice to anatomy education, climate-science communication, art history, and bioarchaeological reconstruction. Articles explore teaching comparative vertebrate anatomy online, creating effective climate visuals, understanding early natural-history illustration through a review of Little Beasts , and using illustration, genetics, and 3D modeling to reconstruct a medieval skull. Log into your account to view the Journal: JNSI 2025 Vol. 57, No. 2 Not yet a subscriber? To view the issue for free, become a GNSI member today!
Visuals s a Catalyst fro Climate Science Communications
July 15, 2025
Visuals as a Catalyst for Climate Science Communication - Part 1 /July 15, 2025

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