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This article appears in the 2013 no.1 Journal of Natural Science Illustration

— Gail Selfridge

Abstract

COMmunity . ENvironment . ART (COM.EN.ART) is an artist-in-residency program for natural history artists. Each year five to seven professional or aspiring natural history artists are selected to spend one to two weeks at the Huyck Preserve biological field station and nature preserve. Artists are free to produce artwork in their chosen manner and medium. The institution provides housing and studio space. In exchange, the artist is asked to contribute an original work constituting something appropriate for exhibition and publication. Here is my experience…


Years...

This article appears in the Journal of Natural Science Illustration 2012 No. 3 issue

Even before 1981 (when Raiders of the Lost Ark was released) I have been trying (in a unfocused way) to pattern my life after that of Indiana Jones —or at least his predecessor, Allan Quatermain. Both men were, to one degree or another, able to balance the sedentary world of the intellect with the dynamic world of travel and exploration.

Like Dr. Jones, I have some advanced degrees in science-related fields, and teach at a university. I have traveled to unusual and/or exotic locations. I have studied grasses in Kenya, collected scorpions in Jamaica, examined the stomach of a patient in a...

This article appears in the Journal of Natural Science Illustration 2012 No. 3 issue

Joseph Hooker: Botanical Trailblazer
by Pat Briggs, with an introduction by Jim Endersby

Review by Diane Dorigan

This richly-illustrated little book follows Joseph Hooker’s career as he struggles to raise botany from a Victorian gentleman’s hobby to a recognized science.

Through his world travels and network of collectors, he identified more than 12,000 new plant species, published several illustrated books and journals on plants and eventually followed in his father‘s footsteps as Director of Kew Garden. Charles Darwin, his good friend and colleague, was so impressed with his...

This article appears in the 2012 no.2 Journal of Natural Science Illustration

— by Emily Coren

AS A GUILD, A GROUP OF LIKE-MINDED PROFESSIONALS, we need to promote ourselves both for the benefit of our profession and our own careers. Using social networking tools is a powerful marketing strategy that if used collectively can bring more money and prestige to our field. I am very proud to be a science illustrator and unfortunately most of the world has no idea who we are. People need to know who we are, why we are doing it and why this work is important. I’ll summarize a few of the most popular new media tools, including how to use them and why.

FACEBOOK:...

— Researched and transcribed by Mary Parrish, Smithsonian Institution.

This is the 1957 job description for the paleo-Illustration position of GNSI Founder Lawrence B. Isham, Department of Geology, U.S.National Museum, Smithsonian Institution. It provides an interesting insight into the requirements for a museum staff illustrator position in the mid-twentieth century.

Official Position Description for Lawrence B. Isham dated 2/27/57

Smithsonian Institution, United States National Museum, Department of Geology; author unknown.
Smithsonian Institution Archives, Record Unit 543
Courtesy Smithsonian Institution

Serves as Scientific Illustrator for the...

—James Perkins

This article appears in the 2011 Journal of Natural Science Illustration

Abstract: Since atoms are smaller than the wavelength of visible light, it is theoretically impossible to “see” an atom, even with the most powerful microscope. Nevertheless, we recognize that atoms consist of “shells” of electrons buzzing around a central nucleus. Therefore, it’s common to depict an atom as a simple sphere, its diameter proportional to the size of its outermost electron shell. Furthermore, scientists have developed experimental methods, such as x-ray crystallography and NMR spectroscopy, to determine the geometric arrangement of atoms within a molecule. These...

— Frank Ippolito ©1993

This article appears in the 1993 Journal of Natural Science Illustration (Vol. 2, No. 1)

Editor’s Note: The 2010 reissue of this article is a modification of the original. Two of the illusrations are replaced with different subject matter fro purposes of better color reproduction. All illustrations in the original print edition are in black and white.

The field of Scientific Illustration often demands the production of highly detailed, accurate renderings that must survive the less-than-perfect world of photographic reproduction. The collaborative efforts between artist and researcher/author require the illustrator to adopt a most...

by Weston D. Gardner M.D. ©1995

This article appears in the 1995 Journal of Natural Science Illustration (Vol. 2, No. 2)

All of us know of the American Artist's Magazine, its American Artist's Book Club and their publisher, Watson-Guptill Publications (ownership now is in Billboard Publications). This article is about Arthur L. Guptill, co-founder, co-editor and co-manager of these businesses in art, with his long time friend, Ernest Watson.Together they undertook many art enterprises under the Watson-Guptill umbrella.

GUPTILL THE POLYMATH

The word I have used goes back into early Victorian history: a person with multiple interests...

Using Engineering Principles to Reconstruct Leaf Shape: A Methodology to Predict Life Posture of Leaves of Extinct Plants — Marlene Hill Donnelly

Abstract: In reconstructing the elements of a convincing prehistoric landscape, some approaches require engineering equations while others depend on subtle nuances of personal observation. The reconstruction of a fossil taxon can be strongly supported with reference to a related extant species. Where no such living plant exists, visualization and imagination are not enough; creating models using structural engineering principles and in-depth field study of living analogs is vital to both accuracy and artistic authenticity. All images copyrighted by Marlene Hill Donnelly,...

The Development of the Classic Wildlife Diorama

— Gary Hoyle

This article appears in the 2008 Journal of Natural Science Illustration

When I was ten years old my grandfather took our family to the Boston, Massachusetts Museum of Science, where I saw, for the first time, what would enchant me and direct my professional career. I stood before a window facing a sweeping view of the Atlantic coast where a wide variety of birds prowled the shoreline or took to the air. The scene had a magical quality about it, not just because of the view, but because of the arrested motion. Everything in sight was frozen in time. I was looking at one of the most beloved and...

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